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By: Arlen Bento, WGCA contributing writer
After watching the 2015 US Open Chambers Bay in Washington, you really have to think that Jordan Spieth has the ability to carry American golf for a long time. Spieth displayed a lot of heart and focus in giving himself a chance to win the US Open, even with a disastrous double bogey coming down the stretch.
Watching Dustin Johnson three-putt the last hole to miss a playoff was brutal, but watching Spieth navigate what looked to be one of the toughest courses ever set up for a US Open was incredible. Spieth, who did not have full control of his golf ball all week, was a master at visual imagery with the help from his caddie Michael Greller. Greller, who had been previously employed as a caddie at Chambers Bay, did a masterful job of keeping Spieth focused on the task at hand.
Throughout the telecast, you could hear Greller telling Spieth to paint a picture, trying to get his player to focus on the shot at hand. This is a very powerful tool in playing competitive golf at the highest level. Being able to focus on the shot and what a player wants the shot to do helps tremendously in playing great golf.
Many times with a lot of the players that I coach, players forget to hone in on this powerful tool. If you really want to improve your game, you really have to work at your mental imagery when you play. Here is a checklist on how to improve your mental imagery skills:
1. Paint the picture – Before you select your club, stand behind the ball and commit mentally to the shape of the shot that you want to hit. Be very clear in your mind what your shot will look like in the air after you make your strike. If you are a draw player, you have to trust the shape you see in your mind. If you are a fade player, trust the shape you see.
2. Commit to your yardage – A lot of my younger players don’t do this well or with as much commitment as they should. Yardage is just not the numbers on the marker or the distance to the pin; it is the calculating of where you want to land the ball to have the best chance at getting close to the hole, taking into consideration the playing conditions.
3. Commit to your club – Once you have your picture and your club yardage, you have to commit to your club. Once you have selected your club, you have to get into your pre-shot routine to get ready to make your play on the ball.
4. Routine – Now that you have your picture image of your shot, commitment to your yardage and a commitment to your club, it is time to trust your pre-shot routine and make your play. All of my players start behind the golf shot, painting the picture of the shot once more before they move into the hitting area. Once a player starts to the hitting area, practice habits take over and the player just has to get through what they do before the hit the shot. I encourage all of my players to have the same swing routine on every play, especially if they are playing well. I coach a one-swing or two-swing pre-shot to get the feel of the play once the player has moved next to the golf ball, all the time keeping in mind the visual image of the shot.
5. Let it go! Once the player has gotten into the ballstriking position, the easy part of the game just takes over. With the mind clear, focus on the shot and trust in the swing, the player has the best opportunity to make solid contact with the golf ball, dramatically increasing the opportunity to hit the shot in the way that they visualized.
I hope this helps improve your golf game and that of your students!
Master Teaching Professional Arlen Bento Jr. is a golf coach, golf sales business owner, golf product developer and golf writer living in Jensen Beach, Florida. He is a former professional tournament player and is a national award-winning head golf professional at the PGA Country Club at PGA Village in Port St. Lucie, FL. He can be reached via Facebook at www.facebook.com/arlenbentojr or on his blog http://arlenbentojr.blogspot.com or on his business website www.abjgolfsales.com.
1. Myth: Head still / Head down
The head moves slightly with the pivot of the swing but not up or down. It should never be ahead of the ball at impact. “Keep your head down” is bad advice because this tends to block the shoulder turn.
2. Myth: Toe of the club points up at the halfway-back position
Use the clubface leading edge angle as a checkpoint as the toe of a club can be misleading with its design. In reality, the clubface angle should be somewhere near parallel to the spine angle. When the clubface angle is pointing straight up, it means that the hands have rotated more than necessary.
3. Myth: Hit with Your Legs / Hit the Ball with the Upper Body
The legs should provide support and resistance for the torso’s and upper-body’s winding and unwinding. The real key to power in the golf swing is the core – the weight shift and rotation.
4. Myth: Weight should be on the Heels at Address
Truth is, the weight should be on the balls of your feet, just like all athletic movements. During the backswing, the weight shifts into the trailing leg’s heel as the backswing loads the club in preparation for the downswing.
5. Myth: No Wrists in the Golf Swing
The wrist should be freely swinging in a proper cocking and releasing motion. The wrists provide tremendous power in the golf swing. Sam Snead said the wrists should be “oily.”
6. Myth: Hold the Club for a Late Release
One of the biggest myths in golf, as there is no such thing as a late release. The club gradually begins to release as the down swing begins. Attempting to hold back the release often results in the clubface being open at impact, the number-one flaw in golf. Jack Nicklaus, Sam Snead, Ben Hogan. and Lionel Hebert all stated that the club gradually begins to release as the body unwinds. The key is this sequence is initiated by the body. and specifically the torso and hips.
7. Myth: The Over the Top Move
Often when someone is “over the top” or casting the club, the teacher tries to get the student to delay the release. The true cure is for the lead-side (core torso) to pull and not be overtaken by the trailing side. One should not try to delay the release. but increase the pull of the torso leading the downswing.
8. Myth: Grip in the Palms of the Hands
Actually, the grip should be more in the fingers of the hands. This includes the lead hand. Think about how you throw a ball: the grip is in the fingers.
9. Myth: Causes of the Shank
The shank is basically caused by the following or combination thereof:
• Incorrect setup (too close, too far, weight placement incorrect, etc.)
• Clubface rolled quickly open and inside the intended target line on the move-away
• The center of the swing (sternum) is ahead of the ball at impact and/or the weight falling toward the ball
10. Myth: Inside Move on the Downswing
Good players do not approach the ball from the “inside” on the downswing. In reality they approach from the original shaft angle or near to this point. Next time you watch a good player, note the direction of his divots. If he were approaching the ball from the inside, his divots would point drastically to the outside of his intended target line. Good players will have very little dispersion off of the intended target line. Some may be slightly one way or the other, but in general, their divots will follow their intended target line. The myth comes from:
• Sensation of clubhead lag
• Lack of understanding that the swing is three-dimensional
• Thinking linear instead of a tilted three-dimensional swing plane
• Fact: many good players have a backswing steeper than their downswing. In reality, they are not dropping the club inside but only back to original shaft plane.
Recently, one of the college students whom I work with came home from school. He had a wonderful fall season, but didn’t do so well in the spring. He had made a few swing changes, but seemed like he was on a good path. His poor play was something neither of us had seen coming.
After meeting and looking at his swing, I was surprised to note that his swing was better than it was before the spring season. The changes looked good, but it didn’t appear as though it felt natural for the student. While talking about the past few months, I could hear the desperation in his voice; he just wanted to play great golf. I knew right then that the problem wasn’t in trusting the swing changes, it was that he was putting too much pressure on himself and hitting the panic button too often. If he didn’t have a fast start, he felt like he was behind. From that point forward, instead of being satisfied with par, he felt like he could never catch up. His swing was tight with poor rhythm and he couldn’t get into a good routine.
As competitive golfers, we have all been there, practicing harder than we ever have before, playing more rounds than normal, and analyzing every thought or process about our game. Then, when tournament time rolls around, the moment we have been preparing for, our performance doesn’t match our effort. What happened? We put too much pressure on each shot and don’t allow the scoring to come to us.
Going back to my student and how we ended our conversation. I forced him to take two weeks off from golf. No range time, putting green, or even a fun round with buddies. But I did make him watch tournament golf on TV. So that’s what he did: observation, but no play or practice. After the two weeks, we discussed what he learned from this assignment. He talked about how the players he watched seemed like they were playing for a score versus working on their swing. They missed greens in the right places, hit less than driver off the tee on some holes, and didn’t seem too upset when they made a par on an easy par-5, or even a bogey.
This is exactly what he needed: a little break to get back to what is important, scoring. If you or a student is in this rut, step back and take some time away from the clubs. It just might do the trick.