A Panel of Our Teachers Share Their Views
It seems, since golf began some 600 years ago, players have argued whether the straight back-straight through putting stroke, preferred today by putting expert Dave Pelz, is better than the inside-square-inside stroke recommended these days by another short game guru, Stan Utley. Well, surely these arguments will go on for a long time, yet one thing will stay the same: most USGTF and WGTF members believe the Pelz type stroke works better on short putts while the Utley-type stroke rolls the ball more purely on long putts. Something else that’s been getting a lot of attention lately is the putting grip, probably because there is such a wide range of grips, including the highly unorthodox claw popularized by PGA Tour pro Chris DiMarco, unique cross-hand hold employed by former US Open winner Jim Furyk, and the unconventional split-hand type grip used by LPGA player Natalie Gulbis. Before things get out of hand, Golf Teaching Pro editors thought we better check in with our members and ask them this question: what do you think is the best putting grip to recommend to average golfers, and why? What follows are the answers to this question that you might find fun to compare to your own. Bill Picca: I prefer the reverse overlap grip simply because it is the putting hold that has proven to be the most popular historically among winners of regular PGA tournaments and major championships. Let me make it clear that this is not the opposite grip to the standard Vardon overlap. My grip of choice is the grip called the reverse overlap grip, even though for a right-handed golfer it entails draping the forefinger of the left hand over the fingers of the right. I prefer this grip myself and recommend amateurs try it before any other grip. The reason is it keeps the hands out of the stroke and promotes a coordinated and rhythmic arms and shoulders action. In essence, then, this grip encourages the player to control the movement of the putter with the big muscles rather than the small ones, thereby virtually guaranteeing an on-line stroke rather than an off-line stroke. Yvon Legault: I know I am a minority, believing that the interlock grip is best for putting, so let me explain my thinking. When hitting drives and other standard tee-to-green shots, more and more PGA Tour professionals are following the example set by Tiger Woods, who prefers the interlock grip, as did Jack Nicklaus before him. When putting, slowly but surely, more and more top professionals are switching from the reverse overlap putting grip to a less conventional hold. A few years ago, several top pros started changing to a left-hand-low or cross-handed grip. A couple of years ago, the claw grip started to catch on and now a number of pros are using it. I predict the interlock will be the most popular grip of the future. I say that, knowing that it unifies the hands, but, unlike the overlap grip, it does not take them out of the stroke so much that you lose feel. The interlock grip promotes a very slight hinge in the wrists, too, and that freedom of motion is enough to enhance feel. In turn, your club direction is enhanced, and so is your distance control. A golfer cannot ask for anything more. Most of all, though, to quote essentially what I say in my bestselling book, Become A Putting Machine, which is likely to be published in America after enjoying success in France, Canada, Switzerland, and Belgium particularly: “The goal in putting is to robotize the stroke, make it automatic, and the interlock grip does this because it CONNECTS the hands.” Dave Shaver: Since ModelGolf innovator Ralph Mann bases his instruction on pro models, I believe the average golfer will do himself or herself the most good by adopting the grip of choice by male and female tour pros: the reverse overlap grip, with the left forefinger extended down and over the fingers of the right hand. This leading choice of grip by the world’s best golfers enhances shoulder action and quiets the hands, making for a very repetitive, consistent stroke. John Andrisani: I think weekend golfers should copy Natalie Gulbis and create a six-inch to twelve-inch gap (whichever feels most comfortable) between the hands when holding the putter. In testing out this grip, I determined that it automatically allows the left hand to lead the putter back and through and the right hand to follow and provide the power in the impact zone. In short, the left hand is the guide hand, the right hand the power hand. Because the right hand is not hindered in any way by the left hand, namely, because the hands are separated from one another, the player finds it easier to determine how much oomph he or she should put behind the stroke with the right hand to hit the ball a specific distance. I think more golfers would be trying this grip if a male tour player were using it. In the past, pro Hubert Green putted well using a similar hold. Hubert won many times on tour, yet golfers forget he did this using an unorthodox grip. I suppose that’s because he missed a short putt to tie Gary Player in 1978 Masters. John Wilde: I am not a teacher who believes in one set methodology. However, that does not in any way mean that I allow a student to choose some kind of wild-looking putting grip that, though comfortable, really will never offer him consistency in terms of distance and direction control. To repeat something I say in my book, The Old Man’s Practice Guide, “Putting is very individualized, but there are principles that you need to master. “The preferred grip is the reverse overlap, where the left forefinger overlaps the right pinky, but the crosshanded grip with the left hand low is an alternative.” One more thing I do stress is this: whichever of these two grips you choose to putt with, I like the student to position the putter’s handle a little higher on the left heel pad, and, ideally, use a putter with a reminder grip which positions the hands in a “weaker” grip position. Both of these keys give you an added sense of security in the hands when holding the club, thereby enabling you to make a pure pendulum-like stroke that rolls the ball smoothly across the green.By Mark Harman USGTF Level IV Member and Course Examiner, Ridgeland, South Carolina
One of the biggest reasons a golfer may not take lessons is one that many golf teachers may not have thought of. That reason is intimidation. Yes, many people, especially women, are intimidated at the thought of taking lessons and putting their game in front of someone to judge. Part of the problem is the old stereotype of the grumpy old pro who has little patience for beginners and novices who seemingly (to him) can’t walk and talk at the same time. Unfortunately, there is some ring of truth to this, as golf traditionally has more than its fair share of course employees and “professionals” who are condescending, sour, and ready to rip your head off. Now for the good news: these bad actors can work to your advantage. By contrasting your behavior, attitude, and actions to theirs, it makes you look that much better to the golfing public. It’s not enough to just smile and be friendly. It’s been researched that body language is perhaps the most important means of communication in personal contact. This means using welcoming gestures, such as open arms, instead of standoffish ones like folded arms and hands in the pockets. Do you provide any literature, brochures, or a website for potential students to peruse? If so, you undoubtedly want a picture of yourself on the material. Believe it or not, there are some teachers whose picture on such materials looks like a mug shot. Now, what kind of welcome is that? Not a real good one. You can also find teachers who, while they may be smiling, are wearing dark sunglasses because the picture was taken outside. Again, not a good idea, because it goes back to the old adage, “He must have something to hide.” Once on the lesson tee, take a genuine interest in their games. Ask a lot of questions. Involve the students in the learning process. Ask them if what you’ve asked them to do is uncomfortable or too difficult. If so, you must find something that they can accomplish. If it’s appropriate, self-deprecating humor can be great at putting people at ease. It lets them know you aren’t perfect and that you empathize with them. Don’t hit balls to just show off your superior skills, but only when necessary to legitimately demonstrate a point. A teacher who starts bombing 300-yard drives in front of his female student who can only hit it 120 might get her to start thinking, “What’s the point if I can’t do what he’s doing?” You should also take the personality of your student into account. If they are a quiet type, they will feel ill-at-ease if you are a boisterous backslapper. Say fewer words and talk in a quieter voice to these people. Although it’s hard for a naturally gregarious person to tone it down, it must be done unless you want that person’s first lesson with you to also be the last. Putting people at ease isn’t rocket science. A lot of it is common sense – treat the person with respect, treat them as an equal, and be humble. You can separate yourself from others – not just in golf but in all walks of life – by acting accordingly.
By Dr. Tom Kubisant, CSP
USGTF Contibuting Writer
Connecting with each student is the most important thing you can do. If you can develop an individual relationship with each student, you will be more efficient in your teaching. And, students will learn more, better enjoy the experience, and come back to you.
Students I talk to say they like to feel like an individual. Even though they may have the same issues as
dozens of other golfers, they like to be treated as if their problems and goals are unique.
Taking the time to personalize a lesson plan is one of the best things you can do to develop an ongoing
relationship. This implies two things: asking questions and listening.
I have presented speeches and seminars to teaching pros for over twenty years. Here is a secret: no matter the topic, I always survey the audience as to how many regularly use a pre-teaching questionnaire. Typically, only about 25 percent raise their hands. I believe having new students fill out such a questionnaire establishes both the framework for the lessons as well as develops a relationship.
Typically, questionnaires survey students’ backgrounds, golf experiences, and especially physical limitations. Some others might include neurological orientations; meaning dominant hand, foot, and eye. Most forms include space for the golfer to detail specific goals for the lessons. Such a questionnaire is not only an assessment, but also becomes as contract.
One key category is having students describe their best learning styles. I still like the Neurolingistic Programming (NLP) model of being predominantly either a visual, auditory, or kinesthetic learner. Such information is valuable in tailoring and communicating lesson content.
If the student does not know which they are, have them become aware of the words they say and think. Visuals will say, “Picture this,” or “Imagine that.” Auditories will say, “It sounds right,” or “It rings true for me.” And kinesthetics will say, “My sense is something does not fit,” or “My gut tells me this is correct.” Which style is Johnny Miller?
One of the challenges of working with each student is to develop creative ways to connect with the person’s learning style. For example, if the student is a visual learner, the teaching pro should demonstrate positions and motions both in slow motion as well as in real time. Visual learners also benefit from statically seeing their own positions. Full length mirrors can be great aids in having students see their own bodies. Finally, video sessions are valuable in having visual students see their own swings from angles they cannot see on their own.
If the student is an auditory learner, the teaching pro should always anchor positive sounds of the desired action. Have the student grasp the club by the hosel and swing the club to hear the swooshing sound of the shaft as it goes through the slot. Have auditory learners listen to the desired click of contact with the ball. This is especially important on putts. Auditories greatly benefit from knowing the sound of a square face at impact. Finally, have them hear the desired thump of the sand on explosion shots.
If the student is a kinesthetic learner, the teaching pro should always emphasize how the swing relates to the person’s senses, balance, and tempo. Sensitize them to the feelings of correct posture during setup – feet pressure, hip position, spine angle, shoulder position, grip pressure, and so on. During the swing, have kinesthetics feel extension, rotation, coiling, and release. Dynamic training aids are useful in helping them isolate the correct feeling, such as a ball under the outside of the rear foot, a headcover under the leading arm, swinging on a balance board, or your hand on their head to restrict an improper movement. Most importantly for kinesthetics, emphasize how tempo and timing feel for them.
Honoring each student’s predominant learning style not only personalizes the instruction, it makes your content emphases more easily implemented.
One of the best comments a student can make about the teaching pro is, “She made it seem so clear.” This is one of the best compliments you can ever receive. This means you have taken the time and effort to customize your content into the student’s learning style.
It is also the hallmark of your professionalism.
Dr. Tom Kubistant is one of the original golf psychologists. He has written three books and over 300 articles on the mental game of golf. He also maintains “The Complete Bibliography On The Psychology Of Golf.” He loves talking with USGTF members and can be reached directly online at Kubistant@aol.com or in Reno, Nevada, at (775) 345-0340.